Friday, May 24, 2013

Memorial Day

By Rick Miranda, The Daily Bosco

I’m not particularly fond of holidays. Before you start throwing stones and calling me a nihilist I should qualify that. I don’t hate them...I just don’t find them particularly celebratory. An annual remembrance of some event or notion that is usually overshadowed by the celebration itself. It’s usually a reason to drag family and friends together for mirth and merriment but with the exception of a few religious holidays little time is actually spent in consideration of the actual reason for a day off with pay. An unfortunate by-product of the Monday holiday bill.

But Memorial Day 2011 was a bit different for me. While many of the same rites and rituals were repeated across this great country of ours and many a family, including my own, hauled out the briquettes and lighter fluid, feasted on red meat and potato salad and listened to the latest family gossip, one extra detail set this holiday weekend aside; at least for me.

Some thirteen years ago my father passed from this world. Every year I mean to visit his grave, and like so many good intentions, time and circumstances seem to get in the way. None the less I do try to make it there when I can and since the anniversary of his death coincides with Memorial Day, I find those visits that I do make to be that much more emotional.

Like so many of his age, my dad spent his time in military service. For his time in uniform he was afforded the privilege of burial among his fellow servicemen in a special section of the cemetery. It moves me to visit this place of honor on a weekend such as this. Each grave adorned with a flag, some with flowers, a cross or the Magen David, it fills me with a sense of gratitude and pride that there is a collective recognition for the service that my father gave along with all these men and women.

Most buried here didn’t die in service to their country. They went on to live typical, some would say mundane, lives. To marry, work, pay taxes, raise children. To perpetuate and enjoy the society to which they had expressed their devotion through the military. Mundane, pedestrian, mediocre, perhaps to those who take it for granted, but so very precious to those who realize how blessed a life it truly is.

Some may have been heroes and some may have been clerks. For every warrior on the line there are ten behind helping to get the job done. Each performed their duties and no one of us afforded the pleasure of freedom can or should judge the depth or quality of their individual efforts. We leave that to our Creator and those that served with them. Whether draftee, volunteer, officer or enlisted these people gave a part of their lives to ensure our well being, that of our country and to a great extent that of the world.

While most were driven by a sense of duty I know not everyone serves for the same reason. I’m sure there are those here that joined for the benefits, financial help with college or simply had nowhere else to go at the time. To be sure some went unwillingly. But it’s their duty that we’re to remember, not their motivation. How many of us have done the greatest things in our lives for the noblest of reasons?

Since my father so loved his time in the service, I feel fortunate, grateful actually, that the occasion of his death coincided with this most appropriate day of national remembrance. It reminds me of his best qualities, qualities valued in any soldier, duty, reverence, integrity. And it reminds me of his hopes to not only instill those qualities within myself but that I pass that paternal obligation on to my sons as well.

In that respect, I can only hope to fulfill that obligation to him, to myself and to my children. So to all those that lay in this field of honor, all those that have served and to this, my first, best hero, I offer my gratitude and respect.

Wednesday, April 24, 2013

Mark Ravenhill Gets Into The Spirit

Ghost Experiment
Written By Mark Ravenhill
Directed by Dave Barton
Through May 26
STAGESTheater, Fullerton, CA

Ghost Experiment, two short works by Mark Ravenhill runs through May 25 at STAGESTheater in Fullerton, CA.

Director of Programming Dave Barton directs this powerful piece that forces audiences to question what is real and how far would one go find a cure for a fatal disease.

In the first piece, Ghost Story, Lisa suffers with breast cancer. Meryl, is a healer who believes in the power of positive thinking. As time folds back on itself and then forwards, Lisa and Meryl trade roles as the healer and the healed, discovering the world is full of ghosts.

In the second piece, The Experiment, the playwright poses a simple question: if you could cure thousands of a fatal disease by experimenting on a single child, would you do it?

Ghost Experiment marks the 13th production of ten new plays of Ravenhill's Barton has tackled.
He has directed more of Ravenhill’s work than any other director in the world.

Barton has brought seven US Premieres to the stage and has lectured on his work at Greenwich College in London.

Previously he directed Pool, No Water at South Coast Repertory Theatre, Theatre Uncut at the Monkey Wrench Collective in Fullerton, and Shopping and Fucking at Rude Guerrilla in Santa Ana.

"I’ve had a long history with Mark and his plays and I was initially drawn to Ghost Story because I knew that it had three great roles for actresses. When his agent sent the script to me and, at Mark’s request, the script for The Experiment, I was hooked. How often can you tackle a pair of plays with so many themes—women’s struggle after breast cancer, New Age gurus, vivisection, the lies we tell ourselves to survive trauma, the smug poison of ‘positive thinking’, child abuse, the trap of the closet—do it with humor and insight and pack it into less than 90 minutes?” says Barton.

Mark Ravenhill is an internationally acclaimed playwright whose first full-length play, Shopping and Fucking, opened at the Royal Court Theatre Upstairs in 1996.

His more recent works include Mother Clap's Molly House (National Theatre, 2001); Product (Traverse Theatre, Edinburgh, 2005); The Cut (Donmar Warehouse, London, 2006); Citizenship (National Theatre, 2006); pool (no water) (Lyric Hammersmith, 2006); Shoot/Get Treasure/Repeat (Edinburgh Festival, 2007); Over There (Royal Court / Schaubühne, Berlin, 2009); A Life in Three Acts co-written and performed with Bette Bourne (Traverse Theatre, Edinburgh / Konninklijke Schouwburg, The Hague / Soho Theatre, London, 2009 and St Ann's Warehouse, New York, 2010); Nationadapt. from the Terry Pratchett novel (National Theatre, 2009); Ten Plagues, a liberetto for a new opera by Conor Mitchell (Royal Court, 2010 / Traverse Theatre 2011); Ghost Story (Playhouse: Live, Sky Arts, Riverside Studios 2010); The Coronation of Poppea a liberetto co-written with Alex Silverman (OperaUpClose, Kings Head Theatre, 2011).

Mark is currently under commission to the RSC and Hampstead Theatre and is writing a new libretto for the Norwegian National Opera. His plays are performed all over the world.

Mark Ravenhill currently serves as Writer in Residence for the Royal Shakespeare Company.

Starring in Ghost Experiment are: Jill Cary Martin, Katrina Klein, Brenda Kenworthy, and Rose London.

Tickets for Ghost Experiment are $20.00, $18.00 for students and seniors.

Performances are April 26 -May26 Fridays and Saturdays at 8:00 p.m. and Sundays at 2:00 pm.

For reservations go online at www.stagesoc.org.

Celebrating its 21st year in business, STAGEStheatre is one of Orange County's most innovative community theaters. It produces nearly 15 productions annually, showcasing local playwriting, acting and directing talent.

It is located at 400 E. Commonwealth in Downtown Fullerton (between Lemon and Balcom).

Tuesday, March 12, 2013

Damas De Caridad Continues To Build Dreams


By Erin Wilkinson, For The Daily Bosco

When St. Jude Hospital in Fullerton opened in 1957 by the Sisters of St. Joseph of Orange, local philanthropist Marcy Arroues Mulville recognized the value of having a quality hospital in the community.

To help raise money for the hospital, Mulville founded Damas De Caridad in 1961 for the sole mission of supporting St. Jude Hospital through philanthropy.

Over the years, St. Jude Hospital has become one of the premier medical facilities in the region and along the way Damas has donated nearly $2 million to St. Jude and the programs it supports.

In keeping with the mission of support for St. Jude, Damas De Caridad will be holding a major auction fundraiser, "Building Dreams Together", on April 27 at The Richard Nixon Presidential Library in Yorba Linda.

All proceeds are earmarked for equipment and technology in patient rooms and surgical suites in the Northwest Tower, which is currently under construction.

As of January 2015, St. Jude Medical Center's two original buildings (built in 1957 and 1962) will no longer meet seismic standards for an acute care medical facility.  As a result, St. Jude has timed the construction and opening of the Northwest Tower to be ready in advance of this deadline.

The Northwest Tower will be a technologically advanced facility featuring 120 patient rooms, nearly all private, and 14 specialized surgical suites, including an advanced neurological suite and hybrid cardiovascular suite.

The private patient rooms will enhance patient confidentiality and improve comfort, both for patients and family members.

A relaxing and beautifully landscaped healing garden will also be available to patients during their recovery.

The Northwest Tower will truly be a magnificent and welcome addition to St. Jude Medical Center that will benefit thousands in the community.

To attend the "Building Dreams Together" Fundraiser on April 27, or to donate an item to the auction or make a financial contribution, be sure to visit www.damasdecaridad.com to request an invitation.

Saturday, March 2, 2013

Fullerton Transportation Study Is Not Necessary


Op-Ed by Allen Bacon, The Daily Bosco

As a frequent user of the Southern California as well as the National Transportation Systems, I was more than a little concerned at the recent approval of spending over a Quarter Million Dollars by the Orange County Transit Authority to conduct a study relating to the feasibility of a transportation system from the campus of Cal State Fullerton to Downtown Fullerton.

Our City Council in my hometown of Fullerton, California generously agreed to chip in $30,000 for this study. $30,000 that we really shouldn't be spending when we have other things to worry about like dilapidated water/sewage pipes, bad roads and out of control pensions.

No one asked me, but if they did, I could have saved the Taxpayers over a Quarter Million Dollars.

Here's The Secret.  Are you ready for this?

That transportation system already exists.

It's called OCTA Routes 26 and 24.  And when the Metrolink Placentia Station opens you will be able to take the Metrolink from Downtown Fullerton to Downtown Placentia and jump on the 26 or 24 there...and go on to nearby CSUF. Or, for the more adventurous or health conscious...Walk or bicycle a mile from the Placentia Metrolink Station to the campus.

OCTA Route 26 runs every 35 minutes or so during peak hours from Cal State Fullerton to the Fullerton Downtown Transportation Center.

So maybe you spend a fraction of the quarter million dollars to promote that route, then as ridership increases and pays for itself, then you add more frequency on that line.

Maybe you have a Route 26A at that time which just goes from the University to Downtown. (Route 26 currently continues on to Yorba Linda to the East and Buena Park to the West).  And maybe you do a nice advertising bus wrap in Cal State Fullerton Titan Orange and Blue that calls Route 26, are you ready for this, the Campus-Downtown Connection.

The point is, that spending over a quarter million dollars of our hard-earned taxpayers money on a study that we already know the answer to, is pointless and a waste of money.

Friday, March 1, 2013

Cereal For The Soul

Our Daily Bran
Warren Anderson
Self Published
Five Scoops of Bosco


Reviewed by Allen Bacon, The Daily Bosco

One thing I love about self-published books is that usually these are books that the big publishers don't have the vision, patience or the courage to produce. A lot of these books miss the mark, mind you, but every once in a while you run across a real gem.

Our Daily Bran, a collection of poems by Fullerton Resident Warren Anderson definitely falls in the latter category.

First of all, you have to love an author who paints his own cover. Anderson is an accomplished landscape artist and his cover sets the mood for his book of poems. It is calm and pastoral with just a hint of mischief. As a publisher myself, I would have tied into the Bran theme more. I would have probably created a faux Bran cereal box for the cover. But that's just me and my graphics background coming through.

I love where Anderson gets his inspiration for his interest in the written word . "My word hero is Vin Scully (the LA Dodger broadcaster), says Anderson. "who can colorfully describe the action without distortion, use metaphors and similes that sparkle and call a game without umpiring or rooting for the home team. For instance, Vinny described a huge base runner who stumbled, fell down and tried to get back to the bag, as looking "like a beached whale trying to get back in the water! He described the floating knuckle ball as a butterfly or debris and described the pitchers for tomorrow's game as a Dodger with all of his strikeouts and a pitcher who has a long name as the Cub with all of his syllables.", continued Anderson.

In fact one of my favorite poems/stories in the book, The Sights of Mexico is an account of Dodger pitcher Fernando Valenzuela pitching. Or the hilarious Next of Kin is another personal favorite.

I suppose the best way to describe Anderson's style is that he is like a cross between Charles Osgood of CBS radio, Shel Silverstein, Garrison Keillor and Billy Graham. The first part of his book is devoted to religious themes while the second part is primarily whimsical and clever poetry on everyday life.

The son of Swedish immigrants, Anderson grew up in Minneapolis. He earned his degree in Southern California and entered public school work as a teacher, counselor and administrator. He is a Christian and enjoys writing poems on Biblical themes. "I will read a text several times for inspiration, not looking for doctrinal evidence or debate but for pathos, triumph, personal edification or even enjoyment. I am interested in what the text says to me, rather than what I can prove from the text.", Anderson said.

Mr. Anderson's book is available through BOSCO Books. This book is $12 plus $5 for shipping and handling. Paypal is accepted. Email orders to: boscotheblog@earthlink.net

Sunday, February 17, 2013

Come For the Rock N Roll...Stay For The Food

The Slidebar
Downtown Fullerton. CA (by Train Station)
5 scoops of Bosco


Reviewed By Allen Bacon, The Daily Bosco

The thing I forget sometimes about growing up and living in Fullerton, CA is the rich rock n' roll tradition of the city. This dates back to when Leo Fender, a Fullerton High student and his buddy Bob Blackburn (who would go on to be the voice of the Seattle Supersonics) would hook up amplifiers for the Fullerton High School football stadium.

Fender of course would go on to start his guitar company in Fullerton and would build Stratocasters and great acoustic guitars for everybody from Chet Atkins to Eddie Van Halen to yours truly, the Bosco Editor.

So it's only natural for a city who gave us the likes of Jackson Browne, Social Distortion, the Adolescents, Dick Dale, Gwen Stefani and No Doubt and the OC Punk Scene, would have a Rock and Roll Club. The Slidebar is the club.

The first thing of course is the music. You never know when you are going to be listening to the next Righteous Brothers or No Doubt at the Slidebar and that's part of the big attraction.

One of the things that attracted me was the LP cover style menu. The liner notes got me going because it was talking about Social Distortion and one of the founding members...Rikk Agnew.

It was Agnew that took exception to a review that I wrote in the Fullerton High School newspaper, the Pleiades. when we were both seniors about his then band at the time's performance at a show on campus. Fortunately, cooler heads prevailed after he threatened to kick my ass.

Rikk would go on to form Social D with Mike Ness and his brother Frank Agnew and be one of the main influences in the OC Punk Scene in the late 70's and early 80's with the Adolescents and Agent Orange.

Everything is done right at the Slidebar (which was the Hub in another lifetime) from the gooe food, good bar, wonderful and friendly staff (who I believe all play in rock bands...at least they look like they do). I had a Grilled Breast of Chicken Panini with garlic fries which really hit the spot. They also have wonderful Kobe Beef Burgers, steaks, pasta, salads and breakfasts served all day which comes in handy for the rock n' rollers. I picked up a cool tee shirt (one of the many promotional items)

Thursday, February 14, 2013

Bosco Valentines 5: A Comedy of Manners


By Doug Vehle, The Daily Bosco

Rather than leave Daily Bosco Writer/Editor Allen to run his annual near miss story for Valentines Day, I figured I could provide him with one of my own, as can we all.

Mine didn't take place at Valentines Day, this would be occurring the summer after my Freshman year of college.

I was enrolled in Analysis of Literary Forms at Fullerton College, a traditional requirement for an English major. If you're a literary type, not a bad way to spend the summer, at least when I was away from my dish washing job at the Children's Hospital of Orange County. This class was a checkpoint in my transition from what Cicero would call a "Complete man" (A reader) into his "Precise man." (Writing) But I think there's all types of people who fit his image of the precise.

I was also studying Broadcasting (AA at Fullerton College) and Theatre Arts (Minor from classes at FC and Cal State Fullerton), giving me a lot of time around actors, whom I was discovering to be far different from the public image of the "Stars." For one thing, they were proving ready to help. At one point I mentioned I'd be reading the play 'Equus' for my class, I was thus informed that I was already connected to someone performing in a production that summer.

I didn't know her well, just a friend of a friend, but she told me I should just show up to their dress rehearsal that weekend, they were inviting people so there'd be a audience. After a season in hell around the junkies and gang bangers of the Don Bosco Technical Institute, even community college was seeming like high society.

So I made what would prove to be a fatal mistake at this juncture, though I had no idea there could be such a mistake waiting to be made. One class meeting to go before the show, I mentioned it to some classmates figuring they might want to go too. Giving no thought to the young lady outside the circle but just a short distance away. Yeah, I have to call her a 'Lady' to be nice, right?

I'd say if she'd only STAYED that distance away, maybe things would have worked out okay. Instead, when she showed up at the play and stood in the middle of theatre looking around, she spied me and made a beeline for me. Why, I don't know. But I was not happy about that.

Even before she started to speak. "Some people are just SO STUCK ON THEMSELVES! I'm glad I'M NOT!" I should have held my tongue. I was asking, 'Why me?' But then anyone who knows me realizes if there's the opportunity for a joke I'll be asking 'Why NOT?' "Oh. You mean you're NOT stuck on yourself?"

 "Oh, you should just hear this guy saying he thinks I must just be looking in the mirror all the time. He says he bets my rearview mirror is all cracked and broken." "Wouldn't it be funny if HIS was all cracked and broken." The loud cackling laugh really had me wishing I'd held my tongue. How could she carry on so long over not much of a throwaway line? I was wanting to call out "Lights, lights." Let's get the show started so she'll shut up, right? And the show was starting. . . . . . . .Only it didn't work that way.

"What's he saying? I can't hear him." Even with the 'Shhh' coming from all around, she kept asking what was going on. . . . It wasn't lost on me that she had somehow decided she was to be my next girlfriend. What I couldn't figure out was why.

She came from that whole class of women who decide they're halfway good looking so they must dress like the supermodels and always be making a scene. What would such a woman see in me? Here I was trapped without an aisle seat that would have allowed me to escape gracefully. But ball and chain that she was as she followed me into the lobby at intermission, I had another one around the other ankle.

No matter how badly she behaves, I feel somewhat trapped by being unable to risk doing anything that might be rude myself. I could have decided that seeing half the play was better than nothing and gone home, though she might have followed me to my car. I wound up back in my seat, her next to me, asking questions again once the show was under way. In fiction as well as theatre, this is what is known as a Comedy of Manners.

You could think of it as death by your own politeness. If you're wondering why she might not have been getting the message I really didn't want her around, it should already be somewhat clear that she was neither bright nor self aware. If she wasn't "Stuck on herself," she was running out of things to actually be. But not out of things to say. But enough about her.

Have you seen 'Equus?' If you have, the young lady who invited me was playing Alan Strang's girlfriend. She had a scene late in the show that didn't require a wardrobe fitting. And she invited me to come see this. Not that I hadn't noticed her before, it was just that I hadn't realized what a good looking woman she really was.

In a simple way, which is really always what I preferred. And what casting.

The moment where she tries to make him wake up from the nightmare of his life. Where the key to his "Happy Ending" will be to let go of his growing madness and hold onto what might be.

As far I was concerned she was perfect for the role. Except it was the madness that was holding onto him.

 "Would you look at her? I would NEVER. . . ." You would never SHUT UP, either. For all this I still feel bad about the idea of just attaching the names I might use for such a boorish individual. Some people are anxious to say that others aren't good enough for them. If they really were better than that it wouldn't be so easy to say they were better than that, now would it? And it didn't do me any good to tell the monster I had to go say hello to a cast member I knew and to say goodnight to the monster.

You know how gum is once it's stuck to the bottom of your shoe. I walked over to find the cast feeling like I needed to hold my hands high for fear she might try to hold one of them. Oh, a POX on the cruel trap of civility. Of course I don't dare say that publicly.

So to really set the scene for the casual acquaintance that I was going to see, you have to dismiss any thoughts of Lindsay Lohan from your mind. People have the wrong idea about the up and coming young actress type. Huge numbers of them are well educated, well read, well behaved, the image of the finishing school graduate they longed to be as they stumbled through public school and tried not to let the low aspirations of those around them hold them back.

Ultimately acting itself creates a huge waste of human potential as they have so few opportunities to practice their carefully honed craft. The heartbreak of realizing there is no light at the end of the tunnel; except so many realize there's a whole new light in another direction in life, so many are such capable people.

I'd barely met her at that point, when she talked while I was around it wasn't really to me, but I was already getting such a feeling about her. For the one thing, she'd been the only other person I'd met who'd actually read the Junius Edwards novel 'If We Must Die,' a story that had quite an impact on me in the 8th grade. And what a shock that she'd looked around and alerted as I walked up. You could about hear the theme from 'Gone with the Wind.'

This is the look they want for the greeting card commercials that you never see in the movies anymore, but oh aren't all the actresses practicing their look in case that sort of scene comes back into vogue. Ask anyone, I can be very unassuming, I never would have guessed anything more than she was just being nice when she invited me to the dress rehearsal.

Maybe she likes the renaissance man type.

As I was walking toward her, doing all of the living life in that one brief moment as she hung breathlessly across that gap between reality and expectation, the comedy of manners suddenly turned tragic. Calling it an expression of anger and horror may not be the most fitting, but it gives you the idea of the change in her face.

She had noticed I'd sprouted a siamese twin and then recoiled as though she'd been burned. I could already tell no amount of denial was going to help, especially since there'd be no tactful way to bring it up.

As you might expect, she remained cordial whenever I saw her after that. If you've ever seen that invisible wall, that's what this looked like. So ironic that I'd only come this close because I'd never be the type to drive away that other annoyance with the back of my hand, but it would seem that's about the only thing that could have saved this moment.

That's how the comedy of manners works, it seems it would be so simple, if only you could just. . . . And I've never met another person who had so much as heard of 'If We must Die,' let alone has read it. Analysis of Literary Forms I would have to repeat at Cal State Fullerton because it was an upper division class there and I couldn't transfer a lower division class to fill the requirement.

I suppose, if only to lighten the moment, I should say I never saw 'Equus' again, either.